Browse the latest catalogs, newsletters, and e-lists of rare books, fine bindings, incunabula, print ephemera, and much more from the members of the ABAA below. (Also includes podcasts, blog posts, and other digital formats.)
*New* indicates any catalogs brought to our attention since the early May 2024.
Philadelphia, PA: Samuel Augustus Mitchell, 1843. First Edition. Leather-bound. 12mo. (7 1/4 in. x 4 1/2 in.) Rich dark-brown leather, double ruled in blind, brightly lettered and ornamented in gilt. Rays of the sun in an arch above the lettering to front board; this repeated to rear board with the addition of an eagle, with wings outspread holding an American shield in its beak, grasping an olive branch with his right talon, and a brace of arrows in its left. All this above ta cloud-construct with a large banner ("E. Pluribus Unum" above and "United States" below. Recent conservator's touch-up to previously lightly rubbed extremities.
Two lovely colored mounted folding MAPS in clean, bright condition.
The first map (34 1/2 in. x 25 1/2 in, and bordered in lovely rose and yellow) is entitled: "A CONCISE VIEW OF THE NUMBER, RESOURCES, AND INDUSTRY OF THE AMERICAN PEOPLE, IN THE YEAR 1840: Comprising the Different Classes of the Inhabitants, Population of the Principal Cities and Towns, THE CHIEF AGRICULTURAL, MINERAL, AND MANUFACTURED PRODUCTS, EXPORTS AND IMPORTS OF EACH SEPARATE STATE; The most important Canals and Rail-Roads, the Lengths of the Principal Rivers, and the Heights of the Principal Mountains in the United States". The format is a large central chart of statistics, surrounded by 32 separate 3 1/2 in. x 3 in. mini-maps in yellow, green, rose and black, depicting Vicinities of various U.S. cities or states. The larger central chart (16 1/2 in. x 16 in.) includes statistics on Aggregate of the Different Classes (Men, Women, White, Colored, Number of Slaves); Several very short tears along folds.
The second fold-out map is a bright, multicolored map of the (then) entire United States, the title of which is: "Mitchell's National Map of the American Republic Or United States of North America (Together with Maps of The Vicinities of Thirty-Two of the Principal Cities and Towns in The Nation), Clearly intended as the overall title to the entire two-map leather-housed, brass-clasped endeavor, including the first map described above. A lovely copy of this beautiful cartographic endeavor, drawn by H. Young and engraved by J.H. Brightly, with classy gilt designs to both front and rear boards. Near Fine.
Bridgeport, CT, 30 January 1877. A two-page letter on the front and verso of a 5-1/8" x 8" sheet with a blue ink stamp of Barnum addressed to an unknown recipient regarding employment and SIGNED as "P. T. Barnum."
In part: "You are declining the American tour…. My respected father-in-law is I fear rather too timid. My son-in-law … filled the position of traveling Treasurer 4 or 5 years without inquiry, and hundreds are doing the same every year. We think it is a most healthy calling. It is lively, busy & exciting, but not sickening nor killing. My partners would only have allowed $25 per week & I should have paid the other $15 from my own pocket for the sake of having you see if the business would suit you, and also see if an opening could be made for you whereby you could gain an independence. The disappointment to me is not at all serious on my account—more so on yours. But it is all for the best no doubt. I still think I shall have a permanent place of amusement in New York City, where you can have a situation & a chance to own an interest which will be sure to be valuable. We will talk it up when we meet.”
London: The International Fur Store, [ca. 1885]. 8vo (10” x 6”), chromolithographically illustrated cardstock covers, blue cloth spine, a.e.g. Frontis., [2] pp. text, 25 color plates with text opposite, 1 p. ad.
CONDITION: Light rubbing to wrappers; spine rebacked with blue cloth strip; contents clean and bright.
This scarce trade catalogue features twenty-five plates showing models wearing various fur garments, with such names as Marcelle, the Danae, Heloise, Medea, Tristran, Latona, York, Cynthea, Maguier, and so on. A short description appears opposite each plate, e.g., “Fife. Long semi-fitting Seal Mantle, fastened on left side with silk ornament and cords.” The text spells out the philosophy of the business; addresses its American clientele; notes that its furs are sourced from all over the world; and relates that “a critic surveying an American lady as she tried on the sealskin ulster that had been made for her at the Store declared that it fitted her as mathematically as the fur had its original owner.” The store itself included showrooms, fitting-rooms, skin-rooms, keeping-rooms for storing furs, quilting rooms, and more, and was also something of a cabinet of curiosities, with a “large collection of mounted animals, suitable for museums, halls &c., including lions, tigers, bears, seals, monkeys, squirrels [and] mounted horns.” The illustration on the title page depicts a female customer in a fur coat greeting a stuffed bear; the front wrapper shows a bear pushing a furclad woman, decked in a bear rug, on a sled.
Established in 1882, the International Fur Store was managed by T. S. Jay. Unlike other 19th century furriers that promoted the exclusivity of their stores, Jay created a shop for all classes. Leaflets and trade cards advertised “the finest furs in the world” at low prices, and in the most up-to-date fashions. Sealskin coats and jackets, and other articles made from sable, sea otter, and silver fox skins were also sold. The Store remained open until at least 1938. T. S. Jay’s father operated an establishment that was also located on Regent St., called William Chickall Jay’s London General Mourning Warehouse (est. 1841), which supplied fashionable mourning attire for the well-to-do, as well as offering goods in a wide price-range to attract the lower classes. No copies recorded in OCLC.
Offered by James Arsenault & Company and found in "Short List #4."
(12), 171, (1)pp., 15 engraved plates (9 folding). Text figs. Title-page vignette. Lrg. 8vo. Contemporary calf, newly rebacked. Henry Maundrell was the Levant Company's chaplain of Aleppo from 1696 to 1701. This work contains the first description of Baalbek by an Englishman. Oxford (Printed at the Theatre, for A. Peisley...and W. Meadows), 1740.
(New York): Signet / New American Library, (1969). Softcover. First edition. Paperback original. Page edges uniformly toned, tiny tear at the crown, else near fine.
Offered by Between the Covers Rare Books and found in "eList 200."
A fine plan, quite scarce, of the shambolic British attack on Charleston, South Carolina in June 1776. Blessed by a fine harbor and proximity to the Lowcountry indigo and rice plantations, Charleston had the largest urban population south of Philadelphia and was the wealthiest city in the Colonies. During the Revolution it was much coveted by the British, who worked under the false assumption that the South had a high percentage of Loyalists, needing only some encouragement to rise up and help put down the rebellion. Charleston was thus the target of not one but two major British campaigns, in 1776 and again in 1780. This plan depicts the first, which ended quickly and ignominiously at the June 1776 Battle of Sullivan’s Island, where South Carolina militia withstood a British attack on the fortifications protecting the seaward approaches to the city. The British plan suffered from imperfect intelligence about both the strength of the American fort at Sullivan’s Island and the hydrography of the surrounding waters. The attacking fleet suffered heavy casualties and serious damage to many of its vessels, and subsequently limped north to join Howe’s New York campaign. This rare and important British chart depicts Charleston Harbor and its immediate surroundings, with a detailed treatment of the battle. The chart was based on surveys conducted by the Royal Navy during the campaign and was first published on August 31, 1776, little more than two months after the battle. The example offered here is a slightly-later issue bearing a date of 1791, with very substantial re-engraving of the waters around Charleston. It seems plausible that this new information was obtained from surveys conducted during and after the British capture of the city in 1780. The Charleston campaign of 1780 was a different matter altogether: In May of that year a British army under Lord Cornwallis captured the city after a siege and took thousands of American prisoners, marking one of the worst Continental Army defeats of the war. In all, a most interesting plan, depicting an important American victory early in the Revolution. Nebenzahl, Atlas, pp. 55-57 (illus.) Nebenzahl, Bibliography, 65. Sellers & Van Ee, 1548 (noting only the 1776 edition).
London: E. Wallis, (c. 1830). Small octavo. 48ff. Illustrated with twelve sets of seven hand-colored full-page engravings. Blow books operate by tabs incised into their edges, so that the magician can hold his thumb to one tab and show a single set of images, with the conceit that those images comprise the entire volume. The magician then changes tabs or opens the book in the other direction—often after an audience member has blown on it, hence the title of the genre—and a different set of illustrations "magically" arise. Included among the images are a woman selling broadsheets, a parrot, a Highland infantryman, a mounted lancer, a steam-ship, a ballet dancer, and a man with a performing bear. Marginal soiling to first four leaves, otherwise near fine and bright in original patterned teal cloth, housed in original matching slipcase, titled in gilt on upper panel. Slipcase has two small abraded spots and light shelfwear.
No. 635 of 750 copies. signed by Paul McCartney. 1 vols. Large folio. Cloth, pictorial upper cover, in matching cloth clamshell box. As new, unopened in shrink wrap.
Offered by James Cummins Bookseller and found in "Photography."
Notes: A rare copy of the first edition of this legendary literary rarity, the first printing of Larry McMurtry's first book of essays. The book is well-known among book collectors as the "skycrapers" printing, because of that typo on line 12 of page 105. This copy has page 105 (specifically the sheet with pages 105 to 108) in BOTH issues, with skyscrapers spelled correctly and incorrectly.
However, this copy does not have the other errors, like "in in" on page 56, line 2; or the line beginning "Mr. Brammer" duplicated in paragraph two of page 134. A year after the publication of this book, Deborah Detering Pannill, a University of Texas at Austin student, wrote a thorough term paper on Encino Press and interviewed the publisher, Bill Wittliff. After the errors in McMurtry's book were discovered, "at first Wittliff thought he could salvage some of those printed but finally they decided to destroy the edition and reprint it.”
What Wittliff meant by "salvage" was not clear until this copy came to light. Only part of the edition had been bound when the errors were discovered. This copy proves that Wittliff attempted to salvage the book by reprinting the pages with errors and replacing them in the unbound copies. In the case of this copy, the corrected sheet was laid on top of the incorrect "skycrapers" text, causing pages 105 to 108 to be duplicated.
McMurtry's first collection of essays, covering Texas history, Texas writers, cowboys, and as a coda to The Last Picture Show, sex in Archer City, Texas has been popular with collectors since its first publication. This is (so far) the only known copy with the famous "skycrapers" page in both issues.
Estimates of the number of surviving copies of the "skycrapers" first printing vary, with typical numbers given as 10–20. The book is not that rare. Realistically, the number of copies is probably two or three times that many. Even so, for a book distributed to the public (as opposed to a limited edition destined for collectors), 50 copies is vanishingly small print run in a state as large as Texas. Probably the scarcest of all McMurtry books.
Your cataloguer has published an essay and bibliography of this book on his Substack.
Edition + Condition: First edition (first printing with the "skycrapers" error). A near fine copy in a very good, first issue dust jacket (with "wtih" in paragraph five, line three of the front flap). The jacket has light shelfwear and a crease along the front flap edge. The book is signed by McMurtry on the front free endpaper. A previously unrecorded and perhaps unique variant of the first printing, in above average condition for this book.
OCCASIONAL LIST 22: A Miscellany: Original Art Work; Small Archive of Major English Watercolourist; Interesting Theatrical Pieces; Manuscript Material, Etc., Etc. -- available on request from fgrare@fgrarebooks.com...
Has the following lists available: California, Texas, Kansas, Missouri, Minnesota, Iowa, Nebraska, Oregon, Louisiana, Colorado, Ohio and New York. Will email to interested parties. Contact info@ginsbook.com to request...
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No place, circa 1905. $4800. Original illustration by California artist Theodore Hampe (1877- 1965) for an unidentified publication of Mary Howitt’s 1829 poem “The Spider and the Fly.” Hampe’s male arachnid luring a female fly into his web illustrates Howitt’s opening line: “Will you walk into my parlour?” That famous line, often misquoted as “come (or step) into my parlour,” remains a widely recognized aphorism for false overtures of friendship. So well-known was Howitt’s cautionary tale that Lewis Carroll parodied it in his “Mock Turtle’s Song” in Alice’s Adventures in Wonderland.
The expressions of the two figures and exquisite details of their costumes exemplify Hampe’s deft hand at small brush technique and mastery of color and shading. The fly perches on the bottommost line of the web, which leads the viewer’s eye back to the seductive host at its epicenter, completing a visually satisfying composition. A splendidly detailed and preserved illustration.
9.5" x 12.75" notebook with photos and ephemera on lighting and make-up for the theater and films. It includes ten 4"x 5" snapshots with eight snaps of a woman in different stages of make-up, six duplicate brochures of "Makeup for the theater," bags with an illustration of a woman putting on lipstick, hand-drawn illustrations, a typewritten report "an introduction to motion picture lighting" by Norman G Dyhrenfurth, who was a Swiss American mountaineer and filmmaker. He was the leader of the successful American Mount Everest expedition of 1963. There is also a bill to Gil Haimsohn, who was a known Hollywood Sound Editor and a Clairol Hair-coloring workbook.
Offered by House of Mirth Photos and found in "Spring 2024."
Special edition with unique hand-made wooden box. Number 7 of 15 copies. This piece was produced in 3 different versions: the deluxe edition (1-6) is now sold out; the special edition (7-11) is issued in unique wooden boxes with specimens; and the regular edition (12-15) is the book only. In this elaborate work comprised of a hand-printed book, a collection of specimens, and hand-made box, Austin memorializes her walks along the shores of the ocean through poetry and lino-cuts. Her verse describes creatures encountered and beaches traversed. The supporting lino-cut illustrations depict an array of shells, horseshoe crab, and more. Physical specimens of most of the items illustrated are included in the accompanying box.
The accordion book is bound in Twin Rocker hand-made grey paper wrappers with black title and blue lino-cut scallop shells to the front panel. It is letterpress printed in Cheltenham Italic type on Somerset paper. Housed in a custom made unique cherry wood box with legs, with a vintage type drawer incorporated. The box was hand-made by Wilfredo Rodriquez of Philadelphia. It contains multiple compartments within, which hold treasures from the ocean including: a dog whelk, slipper snail, beach glass, periwinkle (Maine); moon snail, scallop, horseshoe crab tail (New Jersey); fishing float fragment, limpet (Ireland); an origami boat and a booklet listing the contents - both created by the artist.
Alice Austin is a printmaker, book artist and painter living and working in Philadelphia. She has been on the faculty at the University of the Arts, teaching book structures, and has also taught workshops at the Center for Book Arts in New York, Ballinglen Arts Foundation in Ireland, The Scuola Internazionale di Grafica in Venice, and other institutions. She earned a BFA from the Philadelphia College of Art and has been an active member of the Guild of Book Workers since 1998. She worked as a rare book and paper conservator for over 20 years at the Library Company of Philadelphia. Alice has also been awarded several artist residencies in Europe, and her work is widely held in private, public and special collections worldwide.
Book Size: 8.5 x 9.5 x 1 inches. Box size: 12.5 x 12.75 x 3.5 inches. Fine.
Illustrated Catalog on Carlos Merida (1891–1984) -- Mexican painter, sculptor, writer and graphic designer -- available by request from mmbooks@comcast.net
Nuremberg, Christoph Heussler, 1568. Folio. Engraved title, 49 full page illustrations, engraved by Jost Amman after the drawings of Jamnitzer. 18th-century half vellum over boards, green silk ties.
First and only edition of this remarkable work, an exceptional collaboration between the most famous goldsmith of its time, the personal goldsmith to four kings, Wenzel Jamnitzer (ca. 1507-1585) and the prolific Swiss engraver Jost Amman (1539-1591), considered the creator of the German illustrated book. The Perspectiva is regarded as the most important illustrated work on the solid bodies of the 16th century in the German-speaking world.
Offered by Martayan Lan Rare Books & Maps and found in "A New Perspective."
Children’s Dance Theater Archive of Carla Blank and Jody Roberts -- Offered jointly with Kate Mitas, Bookseller. Details available on request from maser@detritus.com...
From an edition limited to 172 copies, 150 of which were offered for sale. A very important guide for understanding the early diplomacy and exploration of the Americas. The four Bulls issued by Pope Alexander VI in 1493, as well as the Treaty of Tordesillas between Spain and Portugal of 1494, set the course for the early division of exploration of the New World and Asia. As a result of the "lines of demarcation" drawn between the two nations, Portugal was given rights to most of Asia but was confined to Brazil in the Americas, while Spain was given free rein in nearly all of North and South America. Gottschalk provides historical introductions to each of the documents, and reproduces the four Bulls and the Treaty in full-size facsimiles. Also included are facsimiles of three early maps showing the line of demarcation with regard to New World exploration. Gottschalk differs from the estimable Frances Davenport, who identifies pre-Columbian papal bulls of 1455, 1456, and 1481, as having a theoretical relationship to the future discovery and exploration in the Americas. Despite that disagreement this work, giving full facsimiles and historical context for the four earliest diplomatic documents relating directly to the Americas, is a very valuable source.
89pp. plus 130 facsimiles. Folio. Original half vellum and brown cloth, gilt-lettered spine. Covers slightly bowed, boards a bit stained. Light foxing. Very good. In a plain dust jacket.
Paris: Exposition Coloniale Internationale, 1931. Four volumes. 4to. [lvi], 279, xlvi; 336, lxi; 348, lxxiii; 296, lxvi pp., including half-titles in each volume. Complete with index, addenda, errata, and 67 color plates by Grønvold. Original half burgundy calf over marbled boards, gilt lettering on spine; browning and foxing to preliminary and blank leaves, otherwise a very nice wide-margined copy. First edition of a standard work on the avifauna of Vietnam, Cambodia and Laos.
The authors spent the winter months over many years in ornithological exploration in Southeast Asia. The results of their explorations were first published in the Revue de Ornithologie and The Ibis and later gathered in this elaborate four volume set.
Delacour (1890-1985) was an American ornithologist with French origins known for discovering and breeding some of the world’s rarest birds, including the imperial pheasant. He founded the French ornithological magazine L’Oiseau. Leaving France for the United States during World War II, he ultimately became director of the Los Angeles County Museum of Natural History.
Jabouille (1875-1947), a civil servant, was chosen by Delacour as his companion because of his expertise in the birds of Indochina.
Grønvold (1858- 1940), a Danish naturalist and artist, worked at the London Natural History Museum, where he developed skills as a taxidermist and established his reputation as an ornithological illustrator and painter of birds’ eggs.
Offered by Rootenberg Rare Books & Manuscripts and found in "Spring Catalogue 2024."
Leipzig, Germany. Illustrite Zeitung (Illustrated Newspaper), Circa 1845. Disbound.
This wood engraving clipped from an unidentified edition of the Illustrite Zeitung (Illustrated Newspaper), known colloquially as the ‘Leipziger,’ is undated, but information on the reverse indicates that it was published by J. J. Weber of Leipzig, Germany. It is titled, Quarantine und Marinehosital fur Einwanderer auf Staten Island, Newyorf (Quarantine Station and Marine Hospital for Immigrants at Staten Island, New York). It is in nice shape with some light toning.
It can be dated as locations of the buildings and dock exactly as shown almost identically match those shown on a map of the grounds, “Marine Hospital Ground, Staten Island . . . made by John Ewein. Dated March 1845 . . . City Surveyor.” The large building in the foreground is “[St. Nicholas] Hospital.” The center building on the hill is the “Yellow Fever Hospital.” The building to the far right is the “Small Pox Hospital.” The small buildings on the “Wharf” and “Pier” are a “Shed” and “Store House.”
Between 1795 and 1798, Yellow Fever killed thousands in New York City, spurring passage of a quarantine law that funded the construction of the New York Marine Hospital on this site. At its peak, the hospital could house 1,500 patients and was treating more than 8,000 per year. Before landing at New York, all vessels were boarded by inspectors, and if they found any trace of disease, everyone was unloaded at the Quarantine. First-class passengers spent their quarantine at the St. Nicholas while lower-class passengers were held in shanties not visible in the wood engraving.
There was considerable local opposition to the hospital, both from land developers who wished to use the grounds for projects and locals who blamed outbreaks of disease on the passengers under quarantine. The tension escalated and in 1856, a local health board prohibited anyone, including staff, from exiting the building by land. On the first of September 1858, the same board passed a resolution declaring the facility to be ”a pest and a nuisance of the most odious character, bringing death and desolation to the very doors of the people [who must abate] this abominable nuisance without delay.” That night a giant mob attacked the hospital, and after evacuating patients and staff from the buildings, burned most of the complex to the ground. The following night, they burned the rest. When later brought to trial, the mob leaders were acquitted, the jury deciding that they had acted in self-defense.
In his semi-autobiographical novel, Redbun: His First Voyage, Herman Mehlville recounts a typical chaotic scene as ships were searched and inspected by health officials and later expresses relief when upon returning to New York harbor as his ship passed the Staten Island complex, apparently unnoticed by port officials, and escaped inspection.
(For more information, see Stephenson’s “"The Quarantine War: the Burning of the New York Marine Hospital in 1858" in the Jan-Feb 2004 issue of Public Health Reports, available online.)
Uncommon. Wood engravings of the Staten Island hospital from illustrated magazines and auctions occasionally appear at auction. The majority are post-attack illustrations showing the ruins or replacement buildings.
Offered by Kurt A. Santfleben, LLC. and found in "Catalog 24-2."
Broadside. Gerold & Son, ( ca. 1900), Vienna. Color lithograph, 28 x 38 1/2 inches.
I just love this image – the happy old fellow cavorting in Arctic seas, with no idea of the trouble he’s about to encounter. Gerold & Son were an old Austrian printing firm. Between 1880 and the 1920s they produced “Hartinger’s Wall Plates for the Education in Natural History,” a series of zoological and botanical chromolithographs designed for educational use in schools. This delightful image by Joseph Fleischmann shows a right whale, floating impossibly high in the water (for educational reasons, I’m sure) with a whale boat bearing down and the mother ship in the distance. As befits its subject, the lithograph is huge, measuring 28 x 38 1/2 inches. Very good condition.
Offered by Ten Pound Island Book Company and found in "Maritime List 343."
Paris: 1658. The first edition of the rules of the Congregation of the Mission, the religious society founded by St. Vincent de Paul. Founded in 1625, the society was concerned especially with charitable works and expanded rapidly in Europe and abroad. The edition offered here is the only one published during the saint's lifetime and includes an exhortation by Vincent to this followers. There are several variants of this first edition, some have a different engraved portrait of Vincent, others have a different spelling on the title-page, and still others include an errata sheet at the end (this one does not). 12mo (12 x 6.5cm), [iv], 112pp., [ii]. Engraved title-page, engraved portrait, and engraved plate of Christ. Bound in contemporary calf, some wear to spine.
Offered by Zinos Books and found in "New Arrivals."
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