J.R.R. Tolkien Writes his Proofreader with a Lengthy Discussion of the Lord of the Rings, Including Criticism of Radio Broadcasts of his Work

Headington, Oxford, England, 1955. No binding. Fine. Autograph Letter Signed, to Naomi Mitchison. Headington, Oxford, England, December 8, 1955. 4 pp on 2 leaves of wove paper with Pirie's/ Crown Bond watermark. 5 5/16 x 7 1/8 in. (13 1/2 x 18 cm). The first page is embossed ""76 Sandfield Road/ Headington/ Oxford."" With original autograph addressed envelope. In a letter peppered with references to Middle Earth and its inhabitants, an exhausted Tolkien takes his first lengthy holiday in four years-in Italy. He returns and writes to Naomi Mitchison, a fellow novelist and his proofreader, for failing to provide feedback for her novel, To the Chapel Perilous. (truncated) Tolkien discusses the demands on his time, ranging from his teaching load, thesis advising, and publishing, to reading critical reviews. Tolkien's dissatisfaction with radio adaptations of Lord of the Rings occupies a prominent place: I think poorly of the broadcast adaptations. Except for a few details I think they are not well done... I thought that the dwarf (Gloin not Gimli, but I suppose Gimli will talk like his father...) was not too bad if a bit exaggerated. I do think of the ""Dwarves"" like Jews: at once native and alien in their habitations, speaking the language of the country, but with an accent due to their own private tongue. The balance of the letter discusses literary critics, reviews of Mitchison's book, and anachronisms in her latest offering as contrasted to Mark Twain's A Connecticut Yankee in King Arthur's Court. TranscriptYou really are most kind and generous. Thank you so much for your last letter. I feel that I should have written long ago, especially since I failed to make any kind of return in the matter of ""To the Chapel Perilous."" But perhaps you will understand I felt exhausted, since in addition to the ""Lord of the Rings"" I had only just concluded a two-year term of administrative office in college on top of professing, and the advance copy came just as I was about to go off for the first holiday since 1951 of more than two or three days. Reading it - I went to Italy - was easy * and delightful; but I seemed too dried up to say anything. And when I came back the shadow of one of those things one idiotically lets oneself in for when they are distant fell on me. [Written at bottom and continuing up left margin]: *I mean for the will; my mind found it difficult. You move in the complicated world with an ease that helps me to understand why people find my much simpler and more simple-minded world bewildering. I cling to Lienaro whom I liked and found intelligible. I had to deliver the opening lecture of the newly-founded O'Donnell Lectures in Celtic Studies-already overdue: and I composed it with 'all the woe in the world,', as the Gawain-poet says of the wretched fox with the hounds on his tail. All the more woe, since I am the merest amateur in such matters, and Celtic scholars are critical and litigious; and more so since I was smitten with laryngitis. I think poorly of the broadcast [radio] adaptations. Except for a few details I think they are not well done, even granted the script and the legitimacy of the enterprise (which I do not grant). But they took some trouble with the names. I thought that the dwarf (Gloin not Gimli, but I suppose Gimli will talk like his father - apparently someone's idea of a German) was not too bad if a bit exaggerated. I do think of the ""Dwarves"" like Jews: at once native and alien in their habitations, speaking the language of the country, but with an accent due to their own private tongue. I have, of course, a good many letters: most of them intelligent and critical, and largely inspired by annoyance with the critics. Edwin Muir produced quite a batch, from people who seemed to think I should be upset at his tone. But I got as much good from him, I suppose, as was possible - unless he was prepared to read the book with attention. He showed by his remarks on Lórien that had not. But I do not feel disposed to blame him, as I... (See website for full description) (Inventory #: 23221)