Longtime ABAA-member William Dailey died suddenly last month. His former wife and business partner Victoria Dailey has written an obituary, and his friends and colleagues John Windle and Stephen Gertz supplied touching memorials for him online, which we reprint with premission below: Obituary: I first met Bill in 1972 when he manned the front desk at Zetilin & Ver Brugge. I was early for an appointment nearby, and stepped into Jake's “Red Barn” for a quick browse. I never got around to browsing. Instead, Bill and I struck up a conversation and discovered we shared many interests, so I wasn't surprised when a few days later he called and asked me out. (He had asked me to leave my name and number for the “mailing list.”) We started dating, and when the position of gallery assistant at Jake's became open, I applied and got the job. When Bill left Jake's employ a few years later, Jake inscribed a book, a parting gift to Bill, thus: “Smooth sailing on the high seas of books.” Unknown to Jake, the metaphor was apt: Bill had spent many youthful summers sailing with his parents and sister up and down the eastern seaboard—he was an experienced windjammer, more than ready to tackle the oceans of books he would encounter. Bill and I decided that not only did we want to buy, sell and collect books, we also wanted to print them, and so we began the Press of the Pegacycle Lady in 1972, ultimately publishing twenty-five titles. We married at the end of 1973, began dealing priv... [more In Memoriam: William Dailey]

It's time for another batch of rare books and print ephemera that our members will be bringing to the 51st California International Antiquarian Book Fair in Pasadena, CA next weekend. (You'll find the first batch here...) Stoker, Bram, DRACULA'S GUEST AND OTHER WEIRD STORIES London, George Routledge & Sons, 1914. First edition. 12mo. 200pp. With "First Published in 1914" on the copyright page. Publisher's linen-textured red cloth blocked in blind on the spine and upper board, and with a gilt spine title. We note some foxing on the edges of the textblock, a tiny spot on the upper board, and oiffset on the free endpapers where the dustwrapper ended. Otherwise this is a very nice copy. Neat ownership name on the front pastedown dated July, 1914. In scarce, full color dustwrapper with art by Handforth. The dustwrapper bears the "2/- net" sticker on the spine and so is second state. There is a trace of roughness along the edges but it is in near fine condition.'Dracula's Guest' is a previously unpublished episode from an early draft of Dracula and is published here with eight other stories by Stoker. (Offered by Thorn Books) Pynchon, Thomas. Gravity's Rainbow New York: The Viking Press, (1973). First edition. 760 pp. Price of $15.00 on front flap of jacket. Nominated for the 1973 Nebula Award for Best Novel and winner of the National Book Award in 1974. Just about Fine in a like dust jacket that is bright, unfaded, and clean. A beautiful copy of Pynchon's masterpiece, a landmark w... [more 2018 California Book Fair Preview (Part 2)]

A special exhibit celebrating the 200th anniversary of Mary Shelley's Frankenstein is among the many highlights of the 51st California International Antiquarian Book Fair. The display will include cornerstone works of Gothic literature, including the scarce 1818 first edition of Frankenstein, as well illustrated editions, graphic novels, and film stills from The Bride of Frankenstein and other cinematic interpretations. It will also include a selection of albums with music inspired in whole or in part by Frankenstein's monster. Frankenstein was first set to music in Presumption; or the Fate of Frankenstein (1823), a three-act play by Richard Brinsley Peake (Mary Shelley attended the play in London during its original run). This was followed many years later by Frankenstein, or The Vampire's Victim (1887), a musical burlesque composed by Meyer Lutz and written by Richard Henry. Another 50 years would pass before this classic tale was reanimated with musical accompaniment, first in the creepy title sequence of James Whale's iconic 1931 film adaptation and then in Franz Waxman's lush score for The Bride of Frankenstein (1935). A generation later, Universal Studios released their catalog of classic horror films to television, sparking a monster boom among children coming of age during the late 1950s and early '60s. Several novelty records were targeted at these “Monster Kids,” some of whom would go on to compose Frankenstein songs of their own. Many of underlying themes in Sh... [more In a laboratory once upon a time…]

What caught the eye while exploring the website and perusing new catalogs this week? Why these colorful items... Group of 19th Century Cuban Cigarette Labels This set of slightly risqué 19th-century cigarette cards from Cuba caught the eye. What a perfect gift for the collector of print ephemera or advertising gimmicks! From the description: Description: “Complete series of twelve chromolithograph "Marquillas de Tabaco" labels from the Para Usted Gran Manufactura de Cigarros de Eduardo Guillo, each showing a "mentira de hermosura", or a trick of beauty women use to disguise their age or less attractive feature, with a surprised man viewing each deception through a spyglass.… Each label approx. 10.5 by 14 cm. Loose as issued, housed in photograph album pages. Havana (Eduardo Guillo) n.d. (circa 1865). It was in the early 1860s that tobacco factories in Havana began to package cigarettes with illustrated labels called "marquillas de tabaco" or "marquillas cigarreras". For the tobacco companies, the newly-available chromolithography techniques provided an attractive and cost-effective way to package and advertise their products in an increasingly competitive market. Approximately 20 to 25 cigarettes were packaged together in rolls, each wrapped in one of these labels. The labels were often eye-catching combinations of text and bright colors, many incorporating humor and whimsy.” Offered by F.A. Bernett Books. The Souls of Black Folk: Essays and Sketches Du Bois, W.E. Burg... [more Books of the Week]

ABAA members will be exhibiting any number of rare and highly sought-after items at the 51st annual California International Antiquarian Book Fair (Feb. 9-11, 2018) in Pasadena, CA next month. Here is a small sampling to whet the appetite. Ward, Lynd. Signed block print from Gods' Man , . An original print from Ward's first and most famous wordless novel. Printed from the original woodblock on Japanese paper, the image measures 10 cm x 13 cm. Signed in pencil by Ward under the image in the right corner, with "Gods' Man" printed in pencil opposite. Fine. (Offered by Ken Sanders Rare Books) The Best Edition of the Poetical and Prose Works of Shelley, in a Superb Cosway-Style Binding by Bayntun (Rivière) SHELLEY, Percy Bysshe. The Poetical Works of Percy Bysshe Shelley. Edited by Harry Buxton Forman. In Four Volumes. London: Reeves and Turner, 1876-1877. SHELLEY, Percy Bysshe. The Prose Works of Percy Bysshe Shelley. Edited by Harry Buxton Forman. In Four Volumes. London: Reeves and Turner, 1880. First edition edited by H. Buxton Forman. Together eight octavo volumes (8 7/16 x 5 3/8 inches; 214 x 136 mm.). Frontispieces and plates. Uniformly bound by Bayntun (Rivière) of Bath (stamp-signed in gilt on front turn-in) in mid twentieth-century dark brown crushed levant morocco. Covers with gilt triple fillet border, spines decoratively ruled and lettered in gilt in compartments with five raised bands, board edges with gilt-dotted rule, gilt inner dentelles, marbled endpapers, all ... [more 2018 California Book Fair: Preview (Part 1)]

Get your new year off to a good start by examining a few highlights from around the abaa.org website or found within the pages of our members' latest rare book catalogs. Cassic orange Penguins are always eye-catching. This one is was also an influential part of early science fiction. The Quatermass Experiment: A Play for Television in Six Parts by Nigel Kneale Description: : Penguin Books, .. Small octavo, printed wrappers. First edition. Prints Kneale's revised script for the first of the three BBC Quatermass serials aired in 1953, 1955 and 1958/1959 respectively. Includes film stills. "Effective melodrama and social satire for its time." - Anatomy of Wonder (1987) 3-231. "Excellent scripts." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 294. "With hindsight, there is a clear pattern in Kneale's work in which ordinary people are seen as stupid and ignorant, and ready prey for the supernatural or science-fictional forces that will almost inevitably attempt to control them. There is a seigneurial, Edwardian element in this, a recoiling from the vulgar. This is a point worth belaboring, because Kneale was certainly a much better than average scriptwriter -- the Quatermass series especially is exemplary -- and his scripts were, paradoxically, very influential on SF, at least at the Gothic and irrational margin of the genre where SF meets fantasy, particularly among film and television producers, who never expect SF to make sense anyway." - SFE (onli... [more Books of the Week]

2018 marks the 200th anniversary of the publication of Mary Shelley's Frankenstein. The novel remains a staple on high school reading lists, while Hollywood versions of this timeless tale have made Frankenstein an icon of modern culture. To mark this literary milestone, the Antiquarian Booksellers' Association of America is hosting a special exhibit and panel discussion about the enduring legacy of Frankenstein during the 51st California International Antiquarian Book Fair in Pasadena. Those in attendance will have the opportunity to view a true first edition of Frankenstein alongside reinterpretations of the work, which will be on loan from Occidental College and the University of California, Riverside. In anticipation of this event, here are a few things about the novel you might not know: Frankenstein is the name of the scientist, not the monster. Victor Frankenstein created the monster, who is referred to as "creature," "it," and "demon" in Mary Shelley's novel. She never gave the monster a name. There is no Igor, or any hunchback assistant at all, in Mary Shelley's novel. In fact, Dr. Frankenstein preferred to work alone. Mary Shelley was not listed as the author when the first edition was published in 1818. She was just 20 years old when the novel was published and a woman! She was not listed as the author until a new version appeared in 1831. In fact, many people at the time believed it was written by her husband, the poet Percy Shelley. Frankenstein is widely consider... [more Five Things You Might Not Know About Mary Shelley’s Frankenstein]

Lately, the online world is alive with discussion of Blade Runner 2049, which releases this weekend. Following the success of Amazon's Man in the High Castle television series, Philip K. Dick is once again the go-to science fiction novelist for Hollywood. ABAA members have many interesting items related to Philip K. Dick and this infamous film (which is something of a love-it-or-hate-it phenomenon) available, some of which reveal the tortured path this story took from novel to finished film. One of the most-exciting items is an original script for Blade Runner from 1980, before revisions and re-writes. I'd love to read that to see how the vision changed during the adapting process and before direct Ridley Scott came on board! Blade Runner: The Original Screenplay Hampton Francher & David Peoples Los Angeles: Brighton Productions, Inc./Sunset Gower Studios, 1980. 1st. Original Wraps. Collectible; Very Good. The 1st printing of the 1980 original screenplay, based on the 1968 Philip K. Dick novel, "Do Androids Dream of Electric Sheep?". A VG copy in its original yellow wrappers, with minor offsetting to the front panel (where there had been a label) and several very small, unobtrusive stains. Quarto, 140 pgs. Submitted to Sunset Gower Studios on Dec. 22nd, 1980, this screenplay-- in its original incarnation-- pre-dates the legendary 1982 Ridley Scott film by almost 2 years. Very scarce in its original state. (Offered by Appledore Books) Members offer several first editions of Ph... [more Blade Runner: Scripts, First Editions, & Sequels]

UPDATE: This item has been recovered. The following disappeared in postal transit from San Francisco to New York: (Bierce, Ambrose). The Dance of Death. By William Herman . Author's Copy. , 1877. "Authors Edition" . Original green cloth, blocked in black and gold, all edges stained red (BAL's binding "B"), back cover lightly marked but an excellent, bright copy.The misprint "burn" for "burning" on p. 24 is corrected by hand. Provenance: James Tufts, managing editor of the San Francisco Examiner, and a friend of Bierce. BAL 1104-1105, p. 226 If you have any information on this item, please contact Thomas Goldwasser at tom@goldwasserbooks.com or (415) 292-4698. [more Missing: Author’s Copy of ‘The Dance of Death’]

The annual National Collegiate Book Collecting Contest aims to encourage young collectors to become accomplished bibliophiles. The 2017 contest winners have built up fascinating collections on topics as diverse as teaching mathematics, the literary history of the Maine woods, and seminal cyberpunk novels. We asked the winners a few questions about their collections. 1st Place Alexander M. Koch, The Breath and Breadth of the Maine Woods Unity College ABAA: Could you give us a brief description of your collection? AK: My collection, The Breath and Breadth of the Maine Woods, is an examination of the manners in which the Maine woods has influence. These numerous books, as well as related ephemera, are the breath of the Maine woods. They are the exhalations of centuries of life in Maine, and love for its forested lands. From mid-19th Century ephemera and books on history to turn of the 20th Century fictional accounts of log drives, and from mid-20th Century town histories to 21st Century poetry, these works show the breadth of thought and examination of the Maine woods. From collecting and reading these works it is clear that the Maine woods form an important basis for the livelihoods, industries, and recreation that has made Maine a resilient and awe-inspiring land. ABAA: What first interested you in collecting items related to the Maine Woods? AK: I have always been fascinated by the forest, and by Maine. From my earliest memories I recall spending time with my father driving d... [more Meet the 2017 NCBCC Winners]