Position Announcement: Rare Book Cataloger, Burnside Rare Books Burnside Rare Books is seeking a full-time rare book cataloger to join our small but growing team. Starting salary is in the range of $45,000-$75,000 commensurate with experience. All work is to be done in person at our offices in Portland, Oregon. Primary duties are cataloging and researching new inventory, maintaining inventory control, photographing books, working with customers to sell books, shipping orders, and basic office duties. This position may require travel to book fairs or to meet with clients, and other duties may be assigned. Qualified candidates will possess either an academic background in rare book cataloging, or practical experience cataloging for a rare book firm or auction house. This position requires attention to detail, excellent writing and verbal communication skills, strong research abilities, a demonstrated knowledge of book history and the care and preservation of rare books, a professional and client-oriented demeanor, and the ability to occasionally lift boxes of material up to 50 lbs. Please email cover letter and resume to info@burnsiderarebooks.com. No phone calls or visits please. [more Job Opening: Rare Book Cataloger at Burnside Rare Books]

As the current president of the ABAA, I have been attending the biannual Congress of the International League of Antiquarian Booksellers (ILAB), the umbrella organization that brings together national Associations from around the world. Our hosts in Amsterdam have outdone themselves! The main Congress was preceded by meetings to discuss official ILAB business. The protection of cultural property, while pursued for the noblest of reasons, can lead to incredible bureaucratic burdens and even become counterproductive if people familiar with the actual function of the book trade aren't involved in shaping policy. Fortunately, ILAB's Executive Secretary Angelika Elstner has been elected to the European Union's Art Market Expert Group to provide precisely this kind of input. Among other contributions, ILAB has shown that Interpol's figures for stolen library materials were wildly exaggerated. For example, it claimed that 472,933 pieces of “Library material” had been seized in the past year, which, if true, would mean that the book trade was awash in literal mountains of stolen goods. ILAB was able to show that almost the entire figure derived from a single 500-year-old family archive in Italy that was confiscated by the state as part of a dispute over legal ownership. In point of fact, ILAB and its affiliates are always eager to protect the integrity of institutional collections, and now ILAB has a voice in the European Union to help shape policies that sustain this goal withou... [more ILAB Congress in Amsterdam: Business and Pleasure]

Edit: The recording of this event is now available on our YouTube channel: The Brown Bag Lunch Series, presented by the ABAA Gender Equity Initiative, invites you to join on Zoom on October 22nd, 2024, at 2 PM ET for a Brown Bag Lunch Series with Jordan Ross, the first prize winner of the David Ruggles Prize. Ross will be presenting his collection of "Black Collegiate Textbooks and Histories" along with the prize administrator, Patrick Olson of Patrick Olson Rare Books. October 22nd @ 2 PM ET Collecting Black Collegiate Textbooks and Histories Register here... Jordan Ross Ross has been collecting for ten years, and his decade-long effort to build a "Black Collegiate Textbooks and Histories" collection is paying off. Ross provides not only a snapshot of African American history textbooks in use during the late-19th and early-20th centuries, but also the increasingly scarce histories of the HBCUs that taught with those same textbooks. It started in Fall 2014 with a visit to the campus bookstore at Morehouse College, where he had just started his first year. He asked staff for a history of the college, only to learn that the most recent one was some fifty years out of print. He walked up the street to Spelman College, asked for the same thing, and learned that its history, too, was out of print. Now numbering more than 200 books, Ross' distinctive engagement with a print culture specific to HBCUs aims to preserve these vanishing histories. While many of the judges' decisions are... [more October Brown Bag]

The CABS-Minnesota Antiquarian Book Seminar celebrated its 48th year this July on the campus of St. Olaf College. The class of over 50 convened for an intensive week of hands-on instruction and informal conversations about the book trade, including impromptu book shops in the dorms and a lecture from specialty dealer Alexander Akin of Bolerium Books. 22 of the students were supported by scholarships, including from the ABAA Woodburn Fund. Find out more at www.bookseminars.com. [more 2024 CABS-Minnesota Antiquarian Book Seminar]

Jeff Weber is proprietor of Jeff Weber Rare Books, Montreux and Neuchâtel, Switzerland. He is a member of ILAB, ABAA and VEBBUKU/SLACES (Switzerland). What, by its nature, would be rarer than an original Gutenberg Bible? The invoice that recorded the sale of the first books printed with moveable type! The receipt! Yes, those most-often tossed slips of paper, recording a seemingly trivial event, those receipts are golden to the researcher today if receipts would be appreciated. The receipt will never be as valuable as the item itself, but the tossed data is where the story of how a book (or another item) was distributed, who was involved, and when. When that receipt is tossed, its recorded history is lost, perhaps never to be recognized again. The purpose of writing about receipts is to make the point that there is scholarly value in saved receipts, particularly when they unlock the mysterious ties between buyer and seller. I will refer to a number of personal projects that have benefitted from saved receipts or would have benefitted more had those receipts been kept. By some pertinent examples, I hope that the reader will consider the value of using receipts in their research. This, by my purpose, is to encourage institutions and collectors as well as those who inherit personal papers, to keep notes, receipts, email archives, manuscripts, all kinds of primary research data that can be used in the future to understand more by using those receipts and other materials, to advan... [more Book Receipts: Ephemera with Essential Intellectual Value]

Edit: the recording of this event is now available on our YouTube channel: The Brown Bag Lunch Series, presented by the ABAA Gender Equity Initiative, is a series of short virtual talks covering various topics, from crash courses in areas of expertise to best business practices. Please join the Gender Equity Initiative on Zoom on July 31st, 2024, at 2 PM ET for a Brown Bag Lunch Series with Jim Owens of Thorn Books. During the session, Jim will delve into a short overview of paper marbling, from the earliest known types in Japan ('suminagashi') through the rise and development of 'Turkish' marbling ('ebru'), and finally, a brief look at some modern work by noted marbling artists. Along the way, we will visit the marbling processes, speak to at least the more common patterns, and examine a few reference books. July 31st @ 2 PM ET Jim Owens - Thorn Books Marbled Paper: When, Why, and How CLICK HERE TO REGISTER Jim Owens, Thorn Books Jim Owens, an associate member of the ABAA and a Principal at Thorn Books, and his wife Lynne Owens (full member) since 1987. Jim's educational journey is a testament to his intellectual curiosity, with an undergraduate degree from St. Mary's of Moraga in Philosophy, Latin, English, and Vertebrate Zoology. Jim, also a Doctorate of Jurisprudence from Ventura College of Law, has been involved in many volunteer works in public radio and television and for the Postal History Museum Foundation in Tucson, AZ. Beyond his professional pursuits, Jim's intere... [more July Brown Bag: Marbled Paper]

The Booksellers Documentary producers Dan Wechsler (Sanctuary Books), D.W. Young, and Judith Mizrachy recently premiered UNCROPPED, which rediscovers the work of James Hamilton, one of the great photographers of the cultural history of America. For over four decades working on staff at publications such as Harper's Bazaar, The New York Observer, and most notably, The Village Voice, Hamilton captured remarkable people and stories of the last half-century. Hamilton chronicled the punk and jazz music scene in 1970s and 80s New York City, creating iconic images of musicians like Charles Mingus, Patti Smith, and Lou Reed and taking intimate portraits of everyone from Akira Kurosawa and Jean-Luc Godard. He eventually broke off to do set photography for George Romero, Noah Baumbach, and Wes Anderson. He pursued controversial assignments across the U.S. and the world, which, at times, reveal its seedy underbelly. He never stopped amassing a stunning visual love letter to New York City in all its grit and glory. Hamilton's story and vast archive offer a singular window into the heyday of alternative print media. Taking its name from Hamiton's assertions that publications never cropped his images, Uncropped's filmmakers detail Hamilton's process and his uncanny ability to know the precise moment to unfold a vignette in just two colors. Among the most poignant works are his sympathetic photos of drug-addicted sex workers in pre-gentrified Williamsburg, a young Patti Smith with Tom Verl... [more Booksellers Documentary Producers Premiere UNCROPPED]

May 1 marks the hundredth birthday of Agnes Dawson, a mainstay of the Southern California book trade for over seventy-five years. Agnes' career in the book world began when she met Muir Dawson in 1947. When they met, Muir and his elder brother, Glen, had recently taken over the management of Dawson's Book Shop from their father, Ernest, who had founded the business in 1905. Agnes married Muir in 1948 and became immersed in the book trade: in a profile of Agnes in Zamorano Celebrates 90 (2018), Elizabeth Pomeroy explains that Agnes, Muir, Glen, and other Dawson's staff traveled to Venice, to England, to Japan for the ILAB Congress, and to book fairs all over the world. By the late 1950s, Agnes was running the finances of Dawson's, a role she maintained for nearly fifty years. She was more than the bookkeeper, however. According to her son, Michael Dawson, Agnes was “an unsung hero” of Dawson's. “She understood the business, and she knew the clients,” Michael said, adding that Agnes was the “financial glue in the company.” It was Agnes who made, in Michael's words, “possibly the single most important” business decision in Dawson's history: she advised Glen and Muir Dawson to relocate the shop to the Larchmont neighborhood in 1968 after the closing of the downtown “booksellers' row” location. At the time, Glen and Muir wanted to stay close to downtown Los Angeles. Much of the area they were looking for a new location never took off for retail business. Larchm... [more Agnes Dawson Turns 100]

The ABAA and Sanford L. Smith & Associates are proud to announce that the British Library will be the institutional partner for ABAA Connect at this year's New York International Antiquarian Book Fair. A program resurrected from the early 2000's, ABAA Connect will allow our 2024 institutional partner, the British Library, to request items at the NYIABF from exhibitors, and have those items purchased for the Library as recommended by tax-advantaged contributions from donors to the American Trust for the British Library (ATBL). British Library curators will browse a list of items exhibitors will bring to the fair and choose items they are interested in acquiring. Our British Library and ATBL colleagues and donors will attend the fair and discover these items together in person, and donors can either contribute the value of an item in its entirety or make a gift in part to the acquisition value for a particular item. Unique to the 2024 ABAA Connect program: the ATBL will guarantee the acquisitions requested by British Library curators. The NYIABF hopes this program will expose curators to exciting items, connect booksellers with the British Library and their curators, entice donors to attend the fair and purchase items that will benefit both the British Library and their personal collections, and inspire any fairgoer to become a donor. Location Park Avenue Armory 643 Park Avenue, New York, NY 10065 www.armoryonpark.org Preview: $75 (Includes one daily re-admission) Single-Day A... [more ABAA & British Library Bring ABAA Connect to New York Book Fair in April]

The Celluloid Paper Trail: Film Script Identification Course at UCLA August 5-9 2024 Kevin Royal Johnson and Erin McGuirl will teach the first west coast Master Class on film script identification from August 5-9, 2024 at UCLA's California Rare Book School (CalRBS). Kevin Johnson has been a rare bookseller and appraiser for nearly 30 years. He is the author of the first book on film script identification, The Celluloid Paper Trail, published in 2019 by Oak Knoll Press and is the owner of Royal Books in Baltimore. Erin McGuirl/has been the Executive Director of the Bibliographical Society of America since 2018. She is trained as a special collections librarian, and has worked for over a decade with institutional and private collections in New York City. Course overview: What kind of text is a screenplay? How were they made, and by whom? How did their form and function change over time? In hands-on exercises with archival film scripts and through course lectures, students will explore these questions by learning about the history, development, and bibliographical identification/of the American film script, from the silent era to the end of the twentieth century./ Screenplays are guides to the creation of another work of art: a motion picture. Students enrolled in/The Celluloid Paper Trail/will learn to see scripts as “blueprints” for films and to identify the material cues that tell how they fit into the larger filmmaking process, revealing the contributions of both credite... [more The Celluloid Paper Trail: Film Script Identification Course at Cal-RBS Aug 5-9]